Taking Stock of Your Own Photography
A Guest Post by SusanG from Camelot Photography Forum.
We talk about things like Workflow and Task Management. Yet, how much time do we dedicate to looking, really looking, into our own work? The end product itself!

I spent eight months last year photographing one linear mile. It wasn’t a planned series, but evolved into a long-term project. I recently reviewed the whole collection to select forty images as representative. In re-assessing the series, I took a long hard look to determine if the photography was an evolution of a signature approach, or a rut. That was not easy. It almost teetered into a self-involved downward spiral of “Why is everything rubbish?”
I kicked my ass out of that one ASAP as the end result of whinge-influenced decisions often is not a forward motion but a knee jerk response. Which can result in decisions that don’t further the goal. What does further the goal is to analyse objectively why an image (or images) failed or didn’t succeed as well as expected. Define the problem then look for solutions.
Also take the time to see what has been accomplished. If you know in your heart and mind that you have achieved a goodly portion of your photographic goals, take a moment to bask in that. There is more to be gained from honest congratulations then beating your self up. But keep that “Why Is Everything Rubbish” on hand for brief self-indulgences, and then use it in a positive manner.

My appraisal identified what lens and camera purchases I will be making next. I see that I still have issues resolving what I think I’m seeing to what I’m actually seeing in terms of composition. Which tells me I need to evaluate more completely the scene before I think I’m ready to click the shutter.
Perhaps that isn’t earth shattering, or a Road-To-Damascus moment. It is an important process and it has helped me to plan the next steps to where I want photography to take me.
Practical Things – Recap!
- Look at what makes the bulk of your subject and composition. Think about making a specific purchase (lens, filters, even camera upgrade) to take those types of images.
- Look for what’s missing! Could you have repositioned the camera to take a better or more complete perspective? Do you need to spend more time looking for different views to photograph a scene or subject?Be brutally honest with yourself when considering the above. You’ll stand a better chance of purchasing the equipment you need, and have a better idea on how to use it.
- Look for what’s right in your photography! No matter how small you may think it, everything you feel you got right is one more step towards becoming the photographer you want to be!

These are only a part of an ongoing process. Once you know where your photography is, you have taken an intelligent and objective look at your work. There’s bound to be items I missed or are unique to your own photography. That is what makes your work unique. That is what defines part of your signature style.
SusanG is the Creator of Camelot Photography Forum, a MySpace™ Photography Site where anyone can find their new level.




23 Responses to “Taking Stock of Your Own Photography” - Add Yours
February 28th, 2010 at 6:14 am
Wonderful topic. Self critique is such an important part of developing as a photographer. As I continually strive to get better I often find myself with some “humdrum” photoshoots. These photo I consider boring aren’t necessarily boring but they are just very much my style. I have been lucky enough to develop a style when photographing subjects that people know it’s me.
I think true growth as an artist comes when you step out of your comfort zone, work with others and see things differently for the first time. This may not make sense to anyone but you’ll know it when you experience it.
Three things I try to do to get out of my own way:
Work with other photographers – see what they do and how they see things.
Shoot new subject matter. I photograph a lot of music but often I’ll take to the road and shoot some landscapes
Remember why you take photographs.
I know that I am my harshest critic.
http://grtaylor2.com/2010/02/photos-of-photo-sessions/
February 28th, 2010 at 9:42 am
I agree, this was a great and insightful article. I have found myself doing this recently as well but mostly because I want to take an image into a manipulation phase to get to the vision I have for the shoot. Often I will not shoot exactly what I had in mind and then later regret my decision. However, there are also those happy accidents that lead to learning things you didn’t know about as well. Avoiding a rut in ideas is a huge goal of mine.
http://www.flickr.com/photos/lightshootedit/4390009476/
February 28th, 2010 at 10:42 am
Great article, very well written. I am new to photography and I find myself going through my pics over and over all the time to try and learn how to be better. Its one thing to read tutorials and books but actually using that knowledge to asses your own work is what counts, IMO.
February 28th, 2010 at 2:16 pm
This is right on target as this is exactly where I am at now! Reviewing photos, receiving critiques, trying different things, all to help me get exactly the photos I want. Discussing how the shoot could have produced better results. Someone once told me that my questioning my own photos and requesting feedback showed that I knew the photo was just not exactly want I wanted and they were right! Photography is rarely an instant result, and looking backwards is almost always an excellent way to move forward. Kudos to the author!!!
February 28th, 2010 at 4:18 pm
This is a helpful article, and your sample photos are gorgeous and inspiring.
February 28th, 2010 at 8:19 pm
Nice article but the links to Susan’s Camelot Photography Forum are malformed.
February 28th, 2010 at 11:47 pm
Thanks for sharing such a great article. I love the first image – very powerful – and the third one is really cool as well.
March 1st, 2010 at 2:59 am
Wonderful. What if I told you that this is exactly what I am doing at the moment – precisely now??
I totally agree with your points of discussion, and it really helps you evolve. One point I’d like to add is – generally when you are in a grip of passion for shooting, you may find self-critique a little tough to do. But there always occurs a moment, when you’ve exhausted – you’ve exhausted the driving force that caused you to go into blind passionate clicking. It’s then that you need to reflect on yourself. Look into your images, and see for improvement from your efforts. That’s when you can actually do this self-critique, not otherwise!
March 1st, 2010 at 6:04 am
Cheers everyone! I know it’s not a hard-hitting A-Z photo tip but it is important! Analysing your work is also an important step towards How to Plan, Show and Promote a Photography Exhibit and creating the best portfolio one can.
@Clive – Camelot Photography Forum. If you’re on The Space, stop in and join us!
@Arun – Finding the right frame of mind to self-critique is also key and different for each person. Don’t be too harsh on yourself either!
March 1st, 2010 at 6:14 am
ok. That’s weird … http://www.myspace.com/camelotphotoforum
March 1st, 2010 at 7:42 am
Those are beautiful photos. I especially like the last one with the long shadow of the bench.
I delete the majority of my photos. I figure if I shoot 50 photos and get one or two keepers I’m doing good. So maybe I am too harsh on myself. Or maybe they’re all really not worth keeping.
I always take multiple photos of the same thing. Different distances, angles, dof.
So this brings me to self critiquing. I will like one photo and show the series to other people (non photographers) and they invariably pick a different one. So who’s right? Do you go with your gut or do you go for the popular one?
I agree with Greg that it helps to step out of your comfort zone and shoot things you don’t normally shoot to keep your creative juices flowing.
And I think it’s a very important photo tip. If your 1 TB HDD is full of photos, you’re not being selective enough JMO..
March 1st, 2010 at 8:25 am
@Karen – Don’t be so quick to delete! There is a difference between posting 60 shots from one shoot in an album online and holding onto them for awhile on your system. Put it this way, storage is always at a premium but “out of sight is out of mind”. By that I mean pinpointing exactly why those shots should be deleted first before binning them.
Barring accidental fires and extreme slip ups in settings from the process, looking at what doesn’t work from the perspective as to your actions or habits in shooting really comes home when you pinpoint why. Take a little time to do that, then delete ‘em!
The final judge is often yourself. After all, they’re your photos. However, popular opinion is also important. Find out why someone responds to a photo if you can. It can only add to your knowledge. And if you can combine what the public likes with what you like in a shot … you’ve got a winner!
P.S. My fave Ansel Adams quote is “Twelve significant photographs in any one year is a good crop.”
March 1st, 2010 at 12:47 pm
I haven’t let many other photographers critique my work yet, but as I’ve spent more and more time studying images and following photoblogs, after looking back at some of my earlier ones I find that I was not very accurate with post-processing with many being overdone, whereas often on recent work it seems like I should be doing more to punch them up – yet inevitably I will look back on the newer stuff and still think I overdid something. Conversely I’ve been more satisfied with the composition of my earlier shots. So now I try to keep it simple and not overthink things, my focus is to just keep my eyes peeled for interesting subjects and attempt to be less shy about exhibiting my stuff.
March 2nd, 2010 at 8:03 am
I like to critique my worst shots. For example, if after a shoot I like 5 out of 50 shots, I want to know what was wrong with the other 45 shots. This can sometimes feel that 90% of your shots are dud, but I think that once you get to the stage where you cant find any improvements, you could be stuck.
I also like to plan beforehand – choose whether I want an atmospheric shot, a calming shot or a fun shot and try to ‘fill in the gaps’ on what could have been improved the last time I had my camera.
March 2nd, 2010 at 12:48 pm
@Lon – I can only encourage you to start sharing your work. It is frightening for any level of photographer, but the feedback you can receive is priceless. Look for local groups if you feel ready for some real world interaction, or find an online community with a combination of expert to novice photographers. That combination is what will give you resources to learn from. You can always start here at DPS on the forum
@Whalebone – Great attitude! And you make preplanning ( a key part of workflow) sound like fun!
March 5th, 2010 at 2:35 am
This article came just in time. I was trying to rush to prepare for a very small showing of my work and I had that, why is everything rubbish moment. Thanks for this!
March 5th, 2010 at 3:00 am
I’m just starting out in photography and didn’t know if a site like this was a proper place to post VERY newbie shots. I do some planning of shots but mostly seems to go with my gut – what I seem to like when I’m seeing it. And I like to crop and/or color correct one the computer. I have Photoshop and am just learning how to use it also.
The biggest thing I can kick myself about it seeing something I want to shoot but driving somewhere that I have to be can can’t stop. Of course the same lighting, etc isn’t there when I come back. And I’m just an rank beginner (did I mention that lol) who has a hard time getting to places I want to photograph – long story.
Anyway, are the forums here an ok place to post for help even though I’ll probably never be more than a photo-loving amateur?
March 5th, 2010 at 7:30 am
@lesley – Big
) It happens to everyone.
@pamc – Absolutely post to the Forum. There is a Critique My Shot section with image categories. Every forum category has a “sticky” posted by its administrator that tells you how to go about it. It’s always the very first post on a forum. One of the best things anyone can do when wanting to learn is to join in a forum. You’ll make friends with the same interests and get some great feedback.
March 5th, 2010 at 9:20 am
Three black & whites. Is this a message?
March 6th, 2010 at 10:15 am
@pamc — I find that to be my biggest problem also! I drive 60 miles a day, to and from school. Often I will see a “perfect” shot, but can’t stop long enough to take it. When I come back, the light is wrong, or the subject (often an animal, or lately, a snow formation) is gone…. Any tips from the seasoned pros/semipros? Also, where I drive is a very narrow, hilly little highway. There is no shoulder to speak of. What are your experiences with stopping in someone’s field access?
March 6th, 2010 at 10:08 pm
@lana: I think I face a somewhat similar problem, though not 60 miles, but about 30! Well, most of the time, that’s what happens with me as well. And there have been so many situations which I’ve missed out. Numerous!
Here’s some solution(s) –
1. Take your cam along where ever you go. If you’re not taking it, you can’t blame, since it’s always the timing.
2. If you decide not to take your cam equipments, I think all you need to do is scout the area and look for suitable locations to shoot. And the next time, just plan a shoot around the area on a Sunday or something, hoping for a similar scenery. If not, you’ve only got to try again.
(One word of advice – Everyday is unique. So even if you’ve lost a moment before, you’re gonna get something better, or so you should hope! But from my experience, I can guarantee that that hope won’t fail you!)
As far as the shoulder goes, did you mean helping hand with your stuff or what exactly? If you’re asking about trespassing, it could be a problem – all depends on who the someone is! I’ve had problems as well as fun stuff as far as my experience goes.
March 7th, 2010 at 3:55 am
@Lana – Arun gave some good advice! To clear up the “shoulder” Arun that’s the side of the road where one can pull over a vehicle.
This happens to me all the time as I live in the country and our roads are sometimes only seven feet wide for two ways and absolutely nowhere to pull over. The best thing to do is note the time of day for the lighting and go back when you can park where it’s safe and hike in. The nice thing about walking is you get a better idea of POV’s to shoot from as you’re not worrying about causing an accident. Most farmers here don’t mind if you’re in their field as long as it’s a) not an enclosed pasture and b) you walk along the SIDES of the field so as not to disturb the crops. Ditto using their lay-by/ field access. Be close enough to move your car if a tractor needs to use the way
March 9th, 2010 at 8:03 am
Some excellent ideas. I know that this is about self-reevaluation but do not discount the value of constructive feedback from peers. Include thie feedback with your own evaluation – the information might be valuable or you might not agree with your peers.
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