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	<title>Comments on: Smart Dodge and Burn in Photoshop Elements</title>
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		<title>By: Geoff Chalcraft</title>
		<link>http://www.digital-photography-school.com/smart-dodge-and-burn-in-photoshop-elements/comment-page-1#comment-120949</link>
		<dc:creator>Geoff Chalcraft</dc:creator>
		<pubDate>Thu, 15 Jul 2010 19:00:21 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=6047#comment-120949</guid>
		<description>I think I&#039;d need a longer explanation of why the Gray layer is not as good as a blank or transparent layer. The only change I&#039;d suggest for the instructions as originally written would be to not bother with all that messing about with the Color swatches and RGB values - I just go to Edit &gt; Fill Layer and choose 50% Gray, then set to Soft Light (or Overlay). You can always go back to this layer later and make further adjustments.</description>
		<content:encoded><![CDATA[<p>I think I&#8217;d need a longer explanation of why the Gray layer is not as good as a blank or transparent layer. The only change I&#8217;d suggest for the instructions as originally written would be to not bother with all that messing about with the Color swatches and RGB values &#8211; I just go to Edit &gt; Fill Layer and choose 50% Gray, then set to Soft Light (or Overlay). You can always go back to this layer later and make further adjustments.</p>
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		<title>By: Joey</title>
		<link>http://www.digital-photography-school.com/smart-dodge-and-burn-in-photoshop-elements/comment-page-1#comment-55704</link>
		<dc:creator>Joey</dc:creator>
		<pubDate>Sun, 05 Jul 2009 05:14:40 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=6047#comment-55704</guid>
		<description>You can skip filling the layer with 50% grey. It is really not necessary and can actually hinder you from doing more sophisticated things with the layer later on in the workflow (such as using it as a mask but only wanting to use the information you&#039;ve painted in. If you fill with 50% grey then you cannot weed out only the strokes you have added as everything you &lt;i&gt;didn&#039;t&lt;/i&gt; touch is still solid instead of transparent).

Both ways work, one gives you a little more flexibility than the other depending on how you want to work.

The hardest part of trying to teach &quot;art&quot; is that there are too many different variables that come into play along the way for there to be one distinct answer or process to achieve any one goal. If you only give one way to do it you run the risk of being called out in instances where another process would have been a better choice. On the other hand, if you explain too much about different ways to do things you end up confusing more people than you actually help.

I would personally cater to the people who don&#039;t need to have everything laid out in a direct, step-by-step, to the exact number approach in order to accomplish something. That&#039;s pretty much no different than &quot;teaching&quot; a drawing class by drawing the picture yourself and then passing out photocopies and tracing paper so everyone else can &quot;learn&quot; how to draw by tracing directly over the image you&#039;ve already created.

Focus on the &lt;i&gt;why&lt;/i&gt; it is done, not the &lt;i&gt;how&lt;/i&gt; it is done, and the people who truly want to learn will learn and apply it to their own style.</description>
		<content:encoded><![CDATA[<p>You can skip filling the layer with 50% grey. It is really not necessary and can actually hinder you from doing more sophisticated things with the layer later on in the workflow (such as using it as a mask but only wanting to use the information you&#8217;ve painted in. If you fill with 50% grey then you cannot weed out only the strokes you have added as everything you <i>didn&#8217;t</i> touch is still solid instead of transparent).</p>
<p>Both ways work, one gives you a little more flexibility than the other depending on how you want to work.</p>
<p>The hardest part of trying to teach &#8220;art&#8221; is that there are too many different variables that come into play along the way for there to be one distinct answer or process to achieve any one goal. If you only give one way to do it you run the risk of being called out in instances where another process would have been a better choice. On the other hand, if you explain too much about different ways to do things you end up confusing more people than you actually help.</p>
<p>I would personally cater to the people who don&#8217;t need to have everything laid out in a direct, step-by-step, to the exact number approach in order to accomplish something. That&#8217;s pretty much no different than &#8220;teaching&#8221; a drawing class by drawing the picture yourself and then passing out photocopies and tracing paper so everyone else can &#8220;learn&#8221; how to draw by tracing directly over the image you&#8217;ve already created.</p>
<p>Focus on the <i>why</i> it is done, not the <i>how</i> it is done, and the people who truly want to learn will learn and apply it to their own style.</p>
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		<title>By: Catherine</title>
		<link>http://www.digital-photography-school.com/smart-dodge-and-burn-in-photoshop-elements/comment-page-1#comment-52404</link>
		<dc:creator>Catherine</dc:creator>
		<pubDate>Sat, 30 May 2009 12:09:09 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=6047#comment-52404</guid>
		<description>I tried this, and I really like the control it gives, particularly when using one layer for &quot;dodging&quot; and one for &quot;burning&quot;.  I will definitely experiment more with this.  Thank you.</description>
		<content:encoded><![CDATA[<p>I tried this, and I really like the control it gives, particularly when using one layer for &#8220;dodging&#8221; and one for &#8220;burning&#8221;.  I will definitely experiment more with this.  Thank you.</p>
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	<item>
		<title>By: Molardaddy</title>
		<link>http://www.digital-photography-school.com/smart-dodge-and-burn-in-photoshop-elements/comment-page-1#comment-51925</link>
		<dc:creator>Molardaddy</dc:creator>
		<pubDate>Tue, 26 May 2009 04:14:40 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=6047#comment-51925</guid>
		<description>Pictures did help a lot.  I am very new to elements and I wouldn&#039;t have known where to look for some of the items.  I was not able to get the effect I was looking for.  The new layer was showing graying of the areas i was trying to lighten with the 25% opacity.  Maybe I missed something somewhere.  good tutorial otherwise.</description>
		<content:encoded><![CDATA[<p>Pictures did help a lot.  I am very new to elements and I wouldn&#8217;t have known where to look for some of the items.  I was not able to get the effect I was looking for.  The new layer was showing graying of the areas i was trying to lighten with the 25% opacity.  Maybe I missed something somewhere.  good tutorial otherwise.</p>
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	<item>
		<title>By: belle</title>
		<link>http://www.digital-photography-school.com/smart-dodge-and-burn-in-photoshop-elements/comment-page-1#comment-51702</link>
		<dc:creator>belle</dc:creator>
		<pubDate>Sat, 23 May 2009 12:54:17 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=6047#comment-51702</guid>
		<description>Thanks for the tutorial. Can&#039;t wait to give it a try.</description>
		<content:encoded><![CDATA[<p>Thanks for the tutorial. Can&#8217;t wait to give it a try.</p>
]]></content:encoded>
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	<item>
		<title>By: Michael Van der Tol</title>
		<link>http://www.digital-photography-school.com/smart-dodge-and-burn-in-photoshop-elements/comment-page-1#comment-51604</link>
		<dc:creator>Michael Van der Tol</dc:creator>
		<pubDate>Fri, 22 May 2009 11:13:32 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=6047#comment-51604</guid>
		<description>Among the myriad of methods to dodge and burn, this is by far the best one and the one I most often use.</description>
		<content:encoded><![CDATA[<p>Among the myriad of methods to dodge and burn, this is by far the best one and the one I most often use.</p>
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	<item>
		<title>By: Melvin McDowell</title>
		<link>http://www.digital-photography-school.com/smart-dodge-and-burn-in-photoshop-elements/comment-page-1#comment-51537</link>
		<dc:creator>Melvin McDowell</dc:creator>
		<pubDate>Thu, 21 May 2009 21:40:05 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=6047#comment-51537</guid>
		<description>Thanks. It works with the Gimp too.</description>
		<content:encoded><![CDATA[<p>Thanks. It works with the Gimp too.</p>
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	</item>
	<item>
		<title>By: The World in 35mm</title>
		<link>http://www.digital-photography-school.com/smart-dodge-and-burn-in-photoshop-elements/comment-page-1#comment-51479</link>
		<dc:creator>The World in 35mm</dc:creator>
		<pubDate>Thu, 21 May 2009 16:42:22 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=6047#comment-51479</guid>
		<description>Doesn&#039;t this same thing work without needing to fill the empty layer with RGB(128,128,128) step? I know Scott Kelby showed this trick on the PSTV podcast and in his books, but working on a blank layer seems to do the same thing. What is the reasoning behind the gray? Is it necessary?</description>
		<content:encoded><![CDATA[<p>Doesn&#8217;t this same thing work without needing to fill the empty layer with RGB(128,128,128) step? I know Scott Kelby showed this trick on the PSTV podcast and in his books, but working on a blank layer seems to do the same thing. What is the reasoning behind the gray? Is it necessary?</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: reconjsh</title>
		<link>http://www.digital-photography-school.com/smart-dodge-and-burn-in-photoshop-elements/comment-page-1#comment-51475</link>
		<dc:creator>reconjsh</dc:creator>
		<pubDate>Thu, 21 May 2009 16:28:31 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=6047#comment-51475</guid>
		<description>... follow up on previous post. 

Or maybe just circle the changes in the before and after. I see them though: the crate and stuff under the fruit stand is darker and the farthest right grapes are lighter.</description>
		<content:encoded><![CDATA[<p>&#8230; follow up on previous post. </p>
<p>Or maybe just circle the changes in the before and after. I see them though: the crate and stuff under the fruit stand is darker and the farthest right grapes are lighter.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Peter</title>
		<link>http://www.digital-photography-school.com/smart-dodge-and-burn-in-photoshop-elements/comment-page-1#comment-51453</link>
		<dc:creator>Peter</dc:creator>
		<pubDate>Thu, 21 May 2009 13:33:47 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=6047#comment-51453</guid>
		<description>reconsjsh is correct...i would like to see a slightly more obvious adjustment as a teaching tool...i will try these myself on elements...thanks for a detailed explanation...</description>
		<content:encoded><![CDATA[<p>reconsjsh is correct&#8230;i would like to see a slightly more obvious adjustment as a teaching tool&#8230;i will try these myself on elements&#8230;thanks for a detailed explanation&#8230;</p>
]]></content:encoded>
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