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	<title>Comments on: In Camera Black and Whites?  Seriously?</title>
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	<link>http://www.digital-photography-school.com/in-camera-black-and-whites-seriously</link>
	<description>Discover how to use your digital camera with our Digital Photography Tips. We are a community of photographers of all experience levels who come together to learn, share and grow in our understanding of photography.</description>
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		<title>By: Aum Kleem</title>
		<link>http://www.digital-photography-school.com/in-camera-black-and-whites-seriously/comment-page-2#comment-203042</link>
		<dc:creator>Aum Kleem</dc:creator>
		<pubDate>Mon, 22 Aug 2011 03:46:53 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=3377#comment-203042</guid>
		<description>I alternate shooting in black and white - in camera - with full colour in RAW.  I find shooting in black and white in camera helps one to found the grey scales for a composition more successfully.  However, I take the majority in colour, and convert to black and white in post-processing, will change the camera to B&amp;W in field to check out the grey tones.

&lt;a href=&quot;http://www.flickr.com/photos/aum_kleem/6007564928/&quot; title=&quot;Infinite Identity by Aum_Kleem, on Flickr&quot; rel=&quot;nofollow&quot;&gt;&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>I alternate shooting in black and white &#8211; in camera &#8211; with full colour in RAW.  I find shooting in black and white in camera helps one to found the grey scales for a composition more successfully.  However, I take the majority in colour, and convert to black and white in post-processing, will change the camera to B&amp;W in field to check out the grey tones.</p>
<p><a href="http://www.flickr.com/photos/aum_kleem/6007564928/" title="Infinite Identity by Aum_Kleem, on Flickr" rel="nofollow"></a></p>
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	<item>
		<title>By: YourFrank</title>
		<link>http://www.digital-photography-school.com/in-camera-black-and-whites-seriously/comment-page-2#comment-144533</link>
		<dc:creator>YourFrank</dc:creator>
		<pubDate>Mon, 06 Dec 2010 11:02:28 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=3377#comment-144533</guid>
		<description>Hey there Nat. 

I hope for your sake you&#039;ve grasped concept of the black and white photography by the time, or if you&#039;ve sworn to never return to this website. You&#039;re very limited opinion on the CHOICES people have when they deal with their tools is sickening. 

Please. Understand that photography was originally an art form, not just a way to make a few bucks.</description>
		<content:encoded><![CDATA[<p>Hey there Nat. </p>
<p>I hope for your sake you&#8217;ve grasped concept of the black and white photography by the time, or if you&#8217;ve sworn to never return to this website. You&#8217;re very limited opinion on the CHOICES people have when they deal with their tools is sickening. </p>
<p>Please. Understand that photography was originally an art form, not just a way to make a few bucks.</p>
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		<title>By: Martin Tolley</title>
		<link>http://www.digital-photography-school.com/in-camera-black-and-whites-seriously/comment-page-2#comment-141065</link>
		<dc:creator>Martin Tolley</dc:creator>
		<pubDate>Wed, 24 Nov 2010 09:00:00 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=3377#comment-141065</guid>
		<description>I found that I learned a great deal more about light by shooting in B&amp;W. If also forced me to look, really look, at shape and texture, element and form. Now when shooting in colour I often dial back to B&amp;W to concentrate on the nature of the subject. Colour is so seductive it can distract. And if you shoot B&amp;W in the camera, without the Raw option - you just have to get it right, it&#039;s a really good discipline.</description>
		<content:encoded><![CDATA[<p>I found that I learned a great deal more about light by shooting in B&amp;W. If also forced me to look, really look, at shape and texture, element and form. Now when shooting in colour I often dial back to B&amp;W to concentrate on the nature of the subject. Colour is so seductive it can distract. And if you shoot B&amp;W in the camera, without the Raw option &#8211; you just have to get it right, it&#8217;s a really good discipline.</p>
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		<title>By: David Jamieson</title>
		<link>http://www.digital-photography-school.com/in-camera-black-and-whites-seriously/comment-page-2#comment-72148</link>
		<dc:creator>David Jamieson</dc:creator>
		<pubDate>Thu, 12 Nov 2009 11:58:16 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=3377#comment-72148</guid>
		<description>Hi Natalie. I use a panasonic Lumix DMC-FZ50 camera and since early in the piece have always shot in camera BW in RAW formatt. I agree with everything you say about it as I find that it makes me work harder 
(I&#039;m an old wet darkroom splasher). I also,and don&#039;t ask me why, get &quot;cleaner&quot; images to work with and spend much less time in PP than when I shot for conversion.
Subjective is the Key word here,so basically I say &quot;Whatever floats your boat&quot; but I&#039;d recommend that anyone serious about mono imaging give it a go.
Love your site and the chatty way you present your various views.Best always.....David.</description>
		<content:encoded><![CDATA[<p>Hi Natalie. I use a panasonic Lumix DMC-FZ50 camera and since early in the piece have always shot in camera BW in RAW formatt. I agree with everything you say about it as I find that it makes me work harder<br />
(I&#8217;m an old wet darkroom splasher). I also,and don&#8217;t ask me why, get &#8220;cleaner&#8221; images to work with and spend much less time in PP than when I shot for conversion.<br />
Subjective is the Key word here,so basically I say &#8220;Whatever floats your boat&#8221; but I&#8217;d recommend that anyone serious about mono imaging give it a go.<br />
Love your site and the chatty way you present your various views.Best always&#8230;..David.</p>
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		<title>By: Paul</title>
		<link>http://www.digital-photography-school.com/in-camera-black-and-whites-seriously/comment-page-2#comment-49050</link>
		<dc:creator>Paul</dc:creator>
		<pubDate>Fri, 24 Apr 2009 14:28:06 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=3377#comment-49050</guid>
		<description>When i shot in raw and go to my files i have to change to black &amp; white then it becomes stored in fine.Why wont it just take it in black and white.
Sorry if its a silly question just starting out.
thanks Paul</description>
		<content:encoded><![CDATA[<p>When i shot in raw and go to my files i have to change to black &amp; white then it becomes stored in fine.Why wont it just take it in black and white.<br />
Sorry if its a silly question just starting out.<br />
thanks Paul</p>
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		<title>By: Jim</title>
		<link>http://www.digital-photography-school.com/in-camera-black-and-whites-seriously/comment-page-2#comment-44508</link>
		<dc:creator>Jim</dc:creator>
		<pubDate>Sat, 07 Mar 2009 00:25:10 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=3377#comment-44508</guid>
		<description>I agree that shooting in Black and White (Monochrome setting) in camera is a great visualization aid and adds something to the process of trying to capture good black and white images. It DOES definitely make you work harder.  Personally I like to shoot in Raw so that then, even though the camera was in Monochrome setting, when I download the images (to Aperture) I still have them in full colour so that I can do my own conversions through SilverFX pro (or not in many cases!).</description>
		<content:encoded><![CDATA[<p>I agree that shooting in Black and White (Monochrome setting) in camera is a great visualization aid and adds something to the process of trying to capture good black and white images. It DOES definitely make you work harder.  Personally I like to shoot in Raw so that then, even though the camera was in Monochrome setting, when I download the images (to Aperture) I still have them in full colour so that I can do my own conversions through SilverFX pro (or not in many cases!).</p>
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		<title>By: ice dragon</title>
		<link>http://www.digital-photography-school.com/in-camera-black-and-whites-seriously/comment-page-2#comment-43677</link>
		<dc:creator>ice dragon</dc:creator>
		<pubDate>Mon, 23 Feb 2009 05:22:28 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=3377#comment-43677</guid>
		<description>cool pictures! using black and white enchance de pictures!</description>
		<content:encoded><![CDATA[<p>cool pictures! using black and white enchance de pictures!</p>
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	<item>
		<title>By: the other Adam</title>
		<link>http://www.digital-photography-school.com/in-camera-black-and-whites-seriously/comment-page-2#comment-42612</link>
		<dc:creator>the other Adam</dc:creator>
		<pubDate>Mon, 09 Feb 2009 03:22:10 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=3377#comment-42612</guid>
		<description>With digital I still shoot colour and convert, and not just because my D70 only does it that way... the channel mixer is cheaper than a new set of red and yellow filters for my digital lenses, and without them the pictures wouldn&#039;t be very good.    While I agree that you think differently,  if I&#039;m going to go &quot;shooting in black and white&quot;,  I&#039;d rather shoot film.</description>
		<content:encoded><![CDATA[<p>With digital I still shoot colour and convert, and not just because my D70 only does it that way&#8230; the channel mixer is cheaper than a new set of red and yellow filters for my digital lenses, and without them the pictures wouldn&#8217;t be very good.    While I agree that you think differently,  if I&#8217;m going to go &#8220;shooting in black and white&#8221;,  I&#8217;d rather shoot film.</p>
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	<item>
		<title>By: Kevin</title>
		<link>http://www.digital-photography-school.com/in-camera-black-and-whites-seriously/comment-page-2#comment-42479</link>
		<dc:creator>Kevin</dc:creator>
		<pubDate>Sat, 07 Feb 2009 04:45:21 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=3377#comment-42479</guid>
		<description>All the arguments in favor of color raw images and b&amp;w processing are valid, but the creative aspect of this technique is just as valid.

I shoot b&amp;w in-camera when using Live View, as it forces me to compose my shot better. If I could force my viewfinder to be b&amp;w I would do it because it would help me. Should you do that? Only you can answer that question.</description>
		<content:encoded><![CDATA[<p>All the arguments in favor of color raw images and b&amp;w processing are valid, but the creative aspect of this technique is just as valid.</p>
<p>I shoot b&amp;w in-camera when using Live View, as it forces me to compose my shot better. If I could force my viewfinder to be b&amp;w I would do it because it would help me. Should you do that? Only you can answer that question.</p>
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		<title>By: Lara Farhadi</title>
		<link>http://www.digital-photography-school.com/in-camera-black-and-whites-seriously/comment-page-2#comment-42458</link>
		<dc:creator>Lara Farhadi</dc:creator>
		<pubDate>Sat, 07 Feb 2009 01:18:00 +0000</pubDate>
		<guid isPermaLink="false">http://digital-photography-school.com/?p=3377#comment-42458</guid>
		<description>I just converted to digital a year ago (with a Canon 40D), and I&#039;ve been loving shooting BW with it. I just think differently when I&#039;m shooting BW - it&#039;s about the light and the contrast, and the shadows. In color things read differently. There is a different challenge, and a different approach. A good color photo isn&#039;t necessarily a good BW one, while a good BW could make a great color shot, but that&#039;s a different story.</description>
		<content:encoded><![CDATA[<p>I just converted to digital a year ago (with a Canon 40D), and I&#8217;ve been loving shooting BW with it. I just think differently when I&#8217;m shooting BW &#8211; it&#8217;s about the light and the contrast, and the shadows. In color things read differently. There is a different challenge, and a different approach. A good color photo isn&#8217;t necessarily a good BW one, while a good BW could make a great color shot, but that&#8217;s a different story.</p>
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