How Would You Approach Photographing a Model?
Image by Paul Cox
This question arrived in our inbox from a regular reader – Sammy – and I thought it might make an interesting community workshop where you, the readers of dPS, have a go at giving some good tips on how to approach the situation of working with a model for the first time.
Dear dPS. I have long wanted to work in a studio environment with a professional model to test my portrait skills (my kids are completely sick of me posing them). So this week I booked a professional model to come and sit for me. When I booked her I was full of bravado – but now as the day approaches I’m completely losing it and am so nervous.
I’ve been up front with her that this is my first time but don’t want to come off as a complete idiot – do you have any suggestions for working with a model for the first time? Perhaps some tips on how to make them at ease, posing tips and anything that won’t make me come across as a complete hack – or worse, a sleaze who is so desperate that he’ll pay for the company of a pretty girl (I promise I’m not)! Help!?!
What advice do you have for Sammy with photographing a model for the first time?
48 Responses to “How Would You Approach Photographing a Model?” - Add Yours
August 27th, 2010 at 5:52 am
Here is a little bit of very simple advise. Since she already knows that it will be your first time, Don’t Sweat It.
Decide in advance what type of pictures you want to accomplish. Look through some magazines on the subject to give you a frame of reference. Do some posing in the mirror and see what angles and moods you want to portray. Finally, she is a professional so rely on her experience. Tell her what you have in mind, what you are trying to create, then let her model. You can then see what she is offering and direct her toward your vision. (Try many angles ie: raise you head just a little, turn slightly to the left, bigger or tighter smile).
By the time you get the feel of working off her natural talent you should be lot more comfortible. Remember that this is a learning experience and you shouls expect it to be whatever it turns out to be.
August 27th, 2010 at 6:01 am
Hey Sammy… I’ve had the pleasure of working with some great models and I do have to say at the beginning it’s kinda nerve wrecking cause well you see them in magazine ads or any other advertising around and they’re just there sitting in front of you.
-First of all here are some things I do take into account for doing this, I dress in a relaxed mood, so shorts or some really comfy jeans work for me a tshirt also works great, I do this cause i don’t wanna give out the idea that I’m trying anything by dressing up.
-Second have everything you might need and stuff you might not need ready, remember they’re there for a job and sometimes they need the tools to do so.
-Third be yourself, nothing like being yourself to show you mean business.
-Fourth I’ve worked in outdoor portraits and this has worked for me, on the drive there we usually talk on the car or something like that… so maybe sitting with them to talk a bit before you start up would probably work. -Fifth have some samples of stuff you wanna do, just have them in your head if you by any chance are not expressing yourself the right way or see that you’re not getting the results you’re looking for show her some of the pictures, maybe having that in her mind will help her pose.
I guess thats about what i would say… so good luck Sammy if you wanna check out the pictures i took of some models (brazilian, venezuelan, colombian) go to this link.
http://www.flickr.com/photos/robsacasa/sets/72157624065643111/
best of luck
August 27th, 2010 at 6:15 am
Side note…. to all those that visit the link of pics I left in my previous post, please feel free to comment
August 27th, 2010 at 6:17 am
Unless you have a specific look that you are working towards, work with the model ahead of time to see what he/she would like. Magazine clippings are great for what looks and poses the model wants. Have the model start a collection clippings that they want to replicate, work with them to narrow down the choices to ones that will compliment his/her body and facial structure and that you have the equipment to replicate.
August 27th, 2010 at 6:22 am
Sammy, just a few things to know and think:
1. Think of professional models are just regular people because they are. They are just like a sister.
2. Be confident and the model will trust you more. Never say anything negative while shooting even if something is going wrong, anything bad always has a fix if you follow rule 5 too.
3. Never touch the model unless you ask each time.
4. Re-frame from say inappropriate comments while shooting. “That’s hot” “Sexy” NO! Never do it unless you know the model!
5. Be prepared and be prepared for the unknown. You know your camera equipment, you testing the lighting setup before, you have recharged you batteries… everything will go well. And if something goes wrong, have the duct tape to fix it.
Let’s just say, you can’t beat me on photographing one of my past models and with something going wrong. I was shooting a model and while I went to take a knee to photograph, I riped the inseam of my jeans… about the size of a softball. I just keep going on not saying a thing and the model never notice either. Then I told her when we were all done, it was a good laugh.
Hopefully that helps.
August 27th, 2010 at 6:22 am
HI Sammy,
I have photographed a number of models and your question is a very good one and something I think everyone struggles with at the beginning. The first thing to remember is that models are models because they love to pose for the camera. There is usually very little if any coaxing that you will have to do to get them to relax. I also shoot a lot of actors and performers who need headshots, and it always takes a while just to get them to relax their faces and have fun. With experienced models that won’t be an issue.
That said, it can be intimidating to walk into the room with a beautiful man or woman who you imagine feels that they are more experienced than you, and may be sizing you up. Well guess what, they will do exactly that! So, the first thing to remember is that you need to be friendly, professional, and honest. When you meet the person, shake his or her hand and smile with confidence and say hello as you imagine the most seasoned pro would do. This will immediately tell the model that you are serious and not just another “guy with a camera” as they say.
Before you come in try to have an idea, at least generally, of what kinds of photos you want to shoot. For instance, do you want to try to create some real artistic shots with lots of shadows and expression? Or, perhaps, are you wanting to take some glamor photos? Do you have an interesting prop you can bring from home and use for at least part of the session? These are the types of things you can decide pretty quickly before arriving and prepare for. It will give you a good place to start off from and will ground you and keep you moving because you started off with a fairly concrete idea.
Ask the models for her help. Tell her you are new at shooting models, and that you are open to any ideas that they have. The moment you say that, they will often take off and suddenly give you some amazing shots. That’s where the honesty pays off.
Don’t be afraid to take your time. Don’t feel rushed. Make sure your metering is what you want it to be. Check your exposures, ISO levels, shutter speed, etc.. Make sure it’s all what you want it to be. If it’s going to take you some time tell the model that and offer to get them their robe or shirt or whatever, but take your time. There is nothing worse than walking out with a bunch of underexposed or overexposed photos that are that way because you were nervous.
Look for interesting angles. Climb the stairs if they are there and shoot from overhead. Get down on the ground and see what interesting things you can create from there. Let your imagination free and enlist the model to go along with your vision at the same time allow them to contribute.
Look for something about the model that seems to be his or her strong point and use it in your images. For instance, does the model have striking long thick hair? Think about what types of shots you can do to really make the hair stand out. Does the model seem to have a sort of naturalness about her? Ask her to just move as she feels, dance, whatever… Look for what makes the person unique and make that the focus of the session.
I have more I can say, but I think this is a good start.
August 27th, 2010 at 6:31 am
I just came back from a small shoot with a singer/model. I know excatly what you are talking about, I have been through this…rather still go through it before every shoot. Some pointers, apart from the ones roberto said:
1. Try reaching early for the shoot – that way you can see the lighting, surroundings, think of ideas, small talk with the model. This helps a lot.
2. Talk. Think out loud. You model could give you some really bright ideas if you think out loud.
3. Keep changing. Change the lighting, angles, location, poses, if you think somethiang is not working working out the way you like it. Don’t haste, keep clicking until you like a setting. Patience is the key.
Amey Kanade
http://www.facebook.com/ameykanade?v=wall&story_fbid=10150248516315263&ref=notif¬if_t=like#!/pages/Enduring-Tribute/347675925694?ref=ts
August 27th, 2010 at 6:40 am
Aloha Sammy,
Some suggestions that might help you out:
Posing – a professional model will know how to pose, but look through magazines and tear out pages that show poses or ideas that you like. Show them to her before the session so that she will have an idea of what you want to accomplish.
Have your lighting setups dialed in before bringing her on set – try not to make her wait around while you do lighting tests.
Making the model feel at ease – Have a female assistant with you in case you need to adjust the model’s hair/clothing during the shoot. If you are unable to have a female assistant, have the model adjust her own hair and clothing during the shoot (don’t just stand there and stare at her while she is doing that though)
If you need to do it yourself, ask her permission before doing so, but as much as possible do not touch the model during the shoot. It’s all about treating the model with respect.
If the model will be doing outfit changes, make sure you have a place for her to change. If you’re on location, hold up a towel or reflector to give her some privacy while changing.
Have bottled water and snacks available for her. Have her bring her iPod and play her music during the shoot. During the shoot, in between setups, show her the images either on the camera LCD or on a laptop so she can see how the shoot is progressing. Be open to shot suggestions from the model – together you two may end up with an awesome shot that neither of you had planned at the beginning.
Above all, just be honest and sincere.
Good luck with your upcoming shoot!
August 27th, 2010 at 6:41 am
Hi Sammy
I have only been shooting models for about a year now and the first few times were scary. Here are a few things that I have learned. First get them to relax, talk to them, tell/show them what you are trying to accomplish so they will get an idea of what is expected of them. Don’t touch the models, instead demonstrate the pose for them or have an example to show them. I some times use a key chain laser pointer to show where I want the limbs to be. I start with head shots they are quick and easy to setup and it gets the model use to the lights flashing. I use the head shots for the model release I keep in my files. Then move on to the more complex stuff. The relationship of photographer and model is like a dance, when it is done right it can be a thing of beauty but it takes time.
August 27th, 2010 at 6:45 am
Hi Sammy,
I was in a similar boat as you — I wanted to get into portrait photography but I had never done any. I’ve actually asked a couple of my friends to model for me and this has worked well — I’ll be a little less nervous when I use a real model.
A couple of things that will help / think about before the shoot:
1) Have an idea of what you want to accomplish with the shoot. Are there certain shots/poses you want to get? Is there a certain location or theme you want to convey? Do you want sexy, do you want head shots, full body shots, a mix, etc? One thing that helped me was to print a little booklet of portrait photos from other people that I liked, so that I could have the model imitate that pose. When I went in to the shoot without any idea (and was just hoping to get a good shot here or there) it never worked out. Have a plan!
2) Bring things that will make the model comfortable (and yourself): bring some water, a fan if it’s gunna be hot, or some extra blankets if it’s going to be cold.
3) Bring some props or something to make things a little more fun — you’ll be surprised how much fun you can have
4) Think about lighting (duh)
5) One thing that worked well for me was to have a friend of mine (or even use a friend of theirs) along with you. They can serve as your “assistant” — hold a reflector, hold some gear, tell you the pose doesn’t work or you should move left/right/back/etc. Plus, it comes off as less sleeze-ball when there’s someone else around.
6) Watch the hands, they’re very important (you prob. already know this from shooting your kids).
Good luck!
August 27th, 2010 at 6:49 am
1. Tell her to bring her iPad (or whatever she has her favorite music on), then plug it up to your studio sound system, and let it play in the BG
2. find out ahead of time if she’d like you to have some munchies on hand, or something to drink (NO ALCOHOL, EVER)
3. As Roberto and Eric have said, have some sample shots of things you’d like to try. Keep it simple, though.
4. Speaking of keeping it simple, since this is your first time, keep the lighting and the background simple. Use a lighting setup that you’ve used on your kids a million times that you KNOW works.
5. When she gets there, sit her down with your idea samples, and talk about it. If she’s any good, she’ll take the ball and run with it, and it’ll be all you can do to keep up.
6. While you’re shooting, make sure you talk to her about her. Her favorite movies, TV shows, sports, all of it. Like it was a first date.
7. Relax, have fun.
August 27th, 2010 at 6:56 am
1. Take the lens cap off. (very important)
2. Keep your sense of humor. Things will go wrong so roll with the punches.
3. Never stare at the back of your camera and say out loud “that’s not good” or something along those lines. The model will think you’re talking about them and not your photography technique or the lighting.
4. The model is a person just like you and me. Treat them with respect.
5. Don’t touch the model unless you get their ok even if you think you’re just moving them around or moving hair out of the way. Ask first!
6. Find out what their sense of humor is before you crack dirty jokes. They might take offense to it and/or think you’re a creepy GWC (guy with camera).
7. Models need to eat and drink like you and I. Bottled water and snacks are always appreciated and makes it look like you care.
8. Before you get them to stand in awkward poses, remember that it’s awkward and uncomfortable. If you need to chimp or adjust lights then make it quick or let them relax.
9. Have a pose sheet or some pictures on your laptop or phone so you can show them what poses you’d like try. Makes it easier than trying to describe it to them or showing them yourself.
10. Let them know what your expectations are. (i.e. For each pose you’d like to take 3 or 4 pictures from different angles before moving on to the next pose. Some models move to the next pose after each click of the shutter.)
That’s just a few off the top of my head from my work with models.
August 27th, 2010 at 7:27 am
I recently did a shoot with my new sister-in-law as the model. She is in no way a professional and therefore I found her to be a bit awkward and stiff. I find the human body, in all forms, beautiful and like skin (not nudity) in photo shoots of people. This made the situation even more awkward because she was my sister-in-law and wasn’t sure if posing in a bathing suit (even though non of it showed) was okay.
I started a conversation while I was shooting. I was asking her about work and how it was going. What she has been doing during the weekends and about her boyfriend. After the conversation began, her face relaxed, shoulders loosened up, and her arms were being held naturally.
After that, it only took a suggestion for a pose. She went right to where she was comfortable and to be honest, that is the whole point of the shoot. You want them to be comfortable and in their own skin, otherwise not a single photo will turn out.
This girl you have coming in is a professional model so as long as you act friendly, comfortable and non-threatening, there should be no problem.
Hope this helps.
August 27th, 2010 at 7:28 am
Start off by offering them some champagne.
August 27th, 2010 at 7:46 am
Hello Sammy. Well, if I can give you some advice, here goes it, and that’s not much more than common sense.
First, just concentrate on your work. She’s there to help you on this task, not to let you nervous. So, establish a collaborative mood.
Do your homework: be prepared, not only with all your equipment ready, but with a good idea of what you want to do. Look for some examples to follow, if you need. (I believe you don’t, since you had already tired your kids of posing
Let space to improvise and be creative. Each person not only is different but has a different corporal language, therefore each one asks for different approaches to photograph them. So, observe her as she talks to you, even before the session begins: her facial characteristics, the way she looks at you, at others, at things, the way she moves, and so on, always with an “aesthetical” mind, as if already photographing. Let she “tell” you in this way what’s the best way to photograph her.
Don’t try to be anything different than yourself: an amateur photographer, but a so good one, that in his path of development reached the point to need to hire a professional model to develop further. So, be sincere.
And, at last, just relax and enjoy. Good photos, and don’t forget to tell us how was it.
August 27th, 2010 at 7:56 am
Hi Sammy,
A lot has been said, so I might repeat some stuff…
- Prepare yourself. Have a plan, lightning, backgrounds.
- Do you know how your model looks like, have you seen pictures of her? Try to imitate that first. Do you have some inspirational photos by others? Use them, but be flexible, every model is different.
- Start of easy, with a single light. If that’s going ok, with the photos you shoot AND the model, move on to more creative lighting.
- Also easy: Use just one (prime) lens, your favorite (which you know well) for model shoots.
- Tell your model what you are going to do and what you want.
- experienced models know they have to exaggerate their poses to look good on photos. Be aware that they do and that they cant hold still very long that way.
- Try to look at the model as much as possible, keep eye contact. Try not to look at your LCD too much…
- Be positive. Although maybe every shot is terrible, keep telling your model that she’s doing great!
- Is there a make-up artist coming as well? She/he is very important and most of the time very willing to assist you holding a reflector etc.
- Important things to look at. This is basic stuff, photography is about changing the basic rules…
– Eyes, closest eye sharp. have to be lit enough to attract attention to the viewer. Not too much eye white.
– Hands, the thin part of the hand can be in the picture, whole palm back of hand distracts most of the time.
– Use arms, shoulders, neck to create dynamic lines in your photos.
– Use both landscape as portrait mode. Try keeping you camera not so straight. Rotate it.
– Change distances, from whole body shoot to very much a close up of the face. It is not a bad thing if not her whole face is in the picture.
Lots of other tips going through my mind, but as I said, most of it has been said.
Keep it nice, respectful, simple…
And have a contract ready…
August 27th, 2010 at 9:41 am
The best thing to do is to just take good photos. If you act friendly and respectful towards the model, good final images will cement you in her mind as a good photographer to work with, and you can rely on her as a good reference in the future.
August 27th, 2010 at 10:47 am
Awesome topic – especially since I’m scared to death of shooting people still. Great response and I’ll slowly get to the point when family and friends are not the only models I use.
August 27th, 2010 at 10:56 am
One very useful thing is try to get to know the model before you shoot. Meet up with her (or him) for a cup of coffee or something in a more relaxed setting. That way, you won’t be shooting a complete stranger and that will be a little easier on the nerves.
August 27th, 2010 at 11:01 am
By the time you read this you may well have had your first encounter with a professional model and found that they are just people and the experience is not that intimidating. I do understand that it can seem very scary up front and you are definitely not alone. Somehow, especially when it is a male female thing, it brings back all those insecurities we dealt with in our younger teen years. It is hoverer, and definitely should remain, purely a professional and artistic encounter.
I encourage people to start getting experience via a local camera club with the professional models come in and you, along with other photographers, are coached in interacting with a model, posing and learning from each other. That gets you over the basic jitters and you build confidence directing a model, getting pleasing poses and ensuing you are not the only person she is focused on. It also shares the cost of the model.
Next you can go along or work with an assistant as other have suggested. I encourage my model, especially less experienced ones, to bring a friend. The friend is a distraction for the model and an assistant for me. It is someone who can place the models hair, smooth out a wrinkle in a dress… I never touch the model and the shoots go very smooth.
August 27th, 2010 at 11:11 am
My suggestion is along a different line altogether — do it as a group first, rather than going it alone. check out
http://www.meetup.com
They have thousands of groups around the country organized around hundreds of topics. There are over 20 studios that produce weekly model shoots for visiting photographers within 30 miles of where i live (San Francisco Bay Area). I have gone to half a dozen of these, and seen how others pose the models, light them, work with them.
I am now about to set one up for just me to shoot, but I have the experience gained from working in those groups to work from. Makes a big difference.
August 27th, 2010 at 11:13 am
Oops. Small typo. There are “over 20 photography groups” within 30 miles, and “5 or 6 studios setting up model shoots” in that range.
August 27th, 2010 at 12:16 pm
1) Relax
You said you booked a professional model, so it sounds like you may have paid for their time. If they’re getting paid, there’s no pressure on you to produce anything useful for them, so don’t worry.
2) It’s all about your social skills, have fun with it, that’ll be easier if you relax (see point 1).
They’re just a normal person like you… try to get to know them _as you shoot_.
They’re used to being in front of a camera, so there’s no need to small-talk BEFORE shooting, just start shooting, and talk while you shoot. This is the best skill you can practice.
August 27th, 2010 at 2:04 pm
1. Act professional and friendly (but not too much or she may feel uncomfortable)
2. Don’t look for poses, look for emotions
3. Don’t be trigger-happy, take your time to compose, she must be used to all kinds of photographers.
4. Consider every suggestions she may give you.
5. Enjoy the moment (and make sure she does too).
August 27th, 2010 at 4:32 pm
Here are my tips:
– Set up the environment and camera parameters before the beginning of the session
– Make the model feel comfortable
– Shoot fast (don’t miss a shoot)
– Make the model feel the situation: if you are trying to get a funny picture, make the model feel funny (or angry, or whatever…) but always be respectful
– Try different positions and angles for the model and the camera
– Listen to the model. She can give nice tips even if she is not professional
– Give her time to relax
http://www.antoniocarlon.com/photoblog/index.php?showimage=22
August 27th, 2010 at 6:34 pm
Well, here are my suggestions:
- Have some sweets at at the set (jelly beans are just fine…) as well as some water
- Background music sets the mood
- TALK! Seriously, tell her all about it – what are you doing and why, what do you try to achieve etc. Maybe she can help you…
- Nothing is more frustrating for the model than having no Feedback. Show her a pic or two from time to time (only the good ones of course)
- Check your results: Every couple of shots check whether her hair is still in place, the lightning is still right etc.
U.
August 27th, 2010 at 9:19 pm
It’s always a good idea to work on your lighting before the model gets there, using an assistant (or your kids) as a stand-in. This way, by the time the model arrives you’ve already worked out the kinks and can concentrate on shooting.
Good luck!
GuessTheLighting.com
August 27th, 2010 at 9:21 pm
I recall my first experience with a model very well as it wasn’t that long ago. You have one advantage that your model has experience as a model so is familiar with posing. A few suggestions I have would be to make sure you have ideas in mind ahead of time as to what type of look you are going for be it head shots or full body posing, have a “theme” in mind to work from. Allow her to bring an escort if it would make you or her more comfortable. Arrange props that fit into your theme ahead of time. If you wish to do this again at a later date, look for a model who is new to the business and wanting to expand her portfolio and exchange “TF” work. You both get experience and pics for your portfolios, but no money changes hands. Try not to touch the model when posing her, use only voice suggestions ie: “tilt your chin, place your arm this way”, etc. Most of all, RELAX and have fun!
August 27th, 2010 at 10:32 pm
I am staying as cool as I can in front of models. I pretend that I am a regular user of models, although I seldom use it. Behave like a gentelman with them. Actually I am not looking about the gender of the model. I am initially making a plan of my photograph and making a discusion with the model regarding my plan then telling them to dress as I require and after the final check up I am taking the snaps. In my lifetime I could not be successful in my first shot, after some trial and error the model is also becoming friendly and finally the best is coming out.
I think the first user will be a bit shy, if the model is of opposite sex, but if we consider the model as a tool of my photography then we may avoid shyness.
August 27th, 2010 at 11:23 pm
Hi Sam, It’s a good experience photographing people other than your children. I was like that for so many years. Earlier this year I actually did my first photoshoot with a group of models. The idea came to me about a year and half prior. It took some time and planning to get this done. I was also very nervous because this was my first experience shooting portrait photos of women. I prepared myself by having the idea formulated of what I wanted. I wrote it out several times and visualized it. Then I went out and searched for poses in ads, magazines, internet, that I thought would suit what I was looking for. When the models came, I was at ease, friendly, told them what I was expecting of them and that we would flow with whatever comes up. I also had food and beverages for them and that always makes things a little easier. It was a great experience. Good luck. I know it’s a myspace page but for now that’s where I’ve been keeping my pictures. Check out the album singles for my color photo shoot.
August 27th, 2010 at 11:56 pm
You are not alone in your nervousness…we all have been there and to some degree even after shooting people for a long time you may still get a little nervous and I think that is a good thing. I believe those nerves help to keep you on your toes and from getting too relaxed and getting lazy. As unless your shooting in a studio each location in itself will bring new challenges. Even if your shooting in a studio shooting someone new will also bring new challenges.
The first time I shot a “model” it was with a group of other photographers via a website similar to the meetup.com website. Now since you have already booked the model you probably don’t have time to signup and go to a meetup event. If so great..go watch and learn..probably don’t even take your camera the first few times so you can fully engage in everything that is going on. If not here are a few things I learned:
- Be professional!!! When shooting with a group or watching a group you will see a lot of things that you will want to mimic and you will see quite a few things that you should never do. For example touching a model without permission or posing her/him in some overly raunchy position like a crotch shot.
- If possible have an overall idea of what you want to get from the model. For example have example photos and poses to show the model. Usually this kind of stuff is discussed before the actual shoot as the model usually wants to know what they are getting themselves signed up for and you want to know that they are comfortable with what you are wanting them to do. You definitely don’t want surprises during your shoot.. “like oh I don’t do that”…especially if you are paying her/him! You will also need to tell her what to bring as far as wardrobe, if you have a make up artists you will also need to direct them for the look you are going for.
- If you are using a modeling site like Model Mayhem you should check their previous pics to see if they can give you what you are expecting, if you want to go the extra mile check references from other photogs that she/he may have worked with if your not sure.
- If you are shooting in a studio(or on location) make sure your equipment is ready to go and tested, batteries charged, triggers/receivers are ready….etc..etc..Also have the model sign a release so you don’t get sued later!
- If you are shooting on location if possible check out the location around that same time of day/day of the week that you will be shooting there. Also have a back up location just in case..you would be surprised how fast you can get kicked out of a public location when you have a big expensive camera pointed at a pretty girl/guy!
- Be flexible…don’t let the stress of the event keep you from being focused on capturing what your going for. It really sucks to spend all that effort on a shoot and realize later that you screwed up by not setting something simple on your camera or gear and wish you had taken 10 seconds to adjust something.
- If possible take an assistant, if she/he wants to bring a friend tell them that is fine it will help keep the model at ease and I usually put the friend to work holding reflectors and such.
- Only show the model pics during the shoot if that is something you are comfortable with..there have been times when I have done this and times I have not. As we all know in some cases after a good working in PS the images look completely different.
- Lastly HAVE FUN!!! Let the moment happen try not to force anything some of my best shots have come from a time when I was not planning it. or I just happened to watch the model do something that I didn’t expect.
Good Luck, I’m sure you’ll do great!
August 28th, 2010 at 2:31 am
Other than general advice of “be professional” it’s a good to have an idea of what you’re looking for ahead of time. Think about what kinds of photos you’re going for. What’s your look? It’s exactly what Ed F said. Think of her as your personal doll. You are dressing her, getting makeup on her and posing her but all done with the respect you expect to be afforded.
She needs to know ahead of time what clothing to bring. Unless you’re also trying to launch your own fashion line and have clothes for her she will need to bring several outfits built around the look you’re going for. A list is best.
You should bring your own props/accessories, scope out the location and the light.
I haven’t seen this mentioned yet but you need to double check that she can do her own makeup and hair or do it for her. She should have her hair done before she gets there but not her makeup if either of you are doing it. Tell her what you want her hair to look like so she leaves the house with that. If you don’t have a kit for her or she doesn’t bring her own you might want to find a friend that does makeup.
Kids are easy. Other than the occational scrape or bruise from being kids they don’t have blemishes and their skin is naturally matte and even toned. I have a friend who is a model and this has been a problem before because she’s part Japanese and many people don’t know how to do makeup properly for her eyes. When I’m near by, I am her makeup artist. Even if you’re going for a natural look she will at minimum need foundation, concealer, matte powder, mascara and 2-3 neutral eyeshadows. If you are doing nude shoots the foundation becomes even more important with possible tan lines or sunburns.
It never hurts to have a cheap kit with:
a few liquid foundation, concealer shades, pressed or even loose translucent powder
a couple mascaras, brown, black, clear which can double as brow gel
one good pallet of neutral eyeshadows such as http://www.coastalscents.com/cfwebstore/index.cfm/product/1535_122/28-piece-eye-shadow-neutral-palette.cfm
one good pallet of contouring colors such as http://www.coastalscents.com/cfwebstore/index.cfm/product/1664_122/contour–blush-palette.cfm
some neutral lip colors and a clear gloss
disposable mascara and lip wands
a set of decent brushes that you clean between every use, ecotools is inexpensive and wellmade for the price
cotton rounds
cheap tiny spritzer bottle to make those shadows into liners
alcohol wipes for any pencil liners
It is worth it learning to do your own basic contouring makeup and learning to do it on different face shapes, skin colors and ethniticities. Good luck!
August 28th, 2010 at 5:23 am
It’s a good idea to play with the lighting beforehand. Use an assistant (or your kids) as a stand in. That way, you’ll have everything ready to go when the model arrives and can focus entirely on shooting.
Cheers,
GuessTheLighting.com
August 28th, 2010 at 5:54 am
I like to take 10 to 15 minutes chatting. Getting to know the person. You’ll see facial expressions, lines, “looks” and other things when you are talking about the shoot. Ask questions, what did you bring today. Take a look at the clothing and items. You’ll have input and ideas right away instead of heading to the studio where you’ll be concerned with the camera…it’s settings and composition. Everything else may go blank. Be pleasant. Now’s the time for your personalty and sense of humor to come through…..hopefully you have one. Believe me, it works wonders to build a relaxed atmosphere. Be complimentary. Honest compliments. Wow, that looks really nice. It certainly suits you…You have a very nice look about you. Works very well. Show me that wonderful smile you had when you walked in. If you don’t have anything good to say …..Shut UP. Don’t say, Wow for a chunky lady you don’t sweat much do you?
Offer breaks. Show the results in the view finder after the first few minutes. Get the models approval and input. It’s all about communication. After a while pop out the card and invite her to look at the pics on the computer. When I do that, the ideas flow and the session flies by and it’s fun and successful…the results are always great. I’m sure I forgot things, but I think you can catch my drift…
August 28th, 2010 at 8:19 am
For a first time I would have photographed a newer model just to get your feet wet. It’s always better to learn together. But, to work with a more experienced model I suggest this. You were right in being up front so she will be aware of the slow start. Have confidence in your work and ability and always keep your head up. Look at some poses in magazines before the shoot. This always helps me to get going.This way you’re not wasting time thinking when you should be shooting. Once you get those poses out of the way you will get a feel for how the model looks in poses and what flatters her. Have some music and be talkative. There is nothing worse than a photo shoot filled with silence. Have music, ask what she likes and have songs that fit the style of shoot you are doing. After no time you will find you are working without even thinking and posing will come more natural as time goes on. My BIG thing is that if you make it FUN the model will relax and then you will find yourself relaxing. This is when the real magic begins and the shots will show it. I hope this helps a little. For me it’s never easy. I ALWAYS get nervous before every shoot. I say to myself that this is a sign that I care what the outcome is going to be and I am going to make sure it is everything the model and I want it to be…
August 28th, 2010 at 5:03 pm
I wouldn’t exactly call myself a pro or a vetran but my advice on shooting models would be as follows:
- I think the most important thing is to have a clear idea in your head. Like a boy scout, be prepared! Know roughly what light settings you want (absolutely key if you’re in studio but you’ll also need to think about it if you’re in natural light – for example, do you want to boost with flash? Do you want the harshness of direct midday sun? And so on), your thoughts on the exposure triangle (e.g are you willing to risk high ISO noise for a faster shutter speed?), what emotions do you want the model on convey, what wardrobe you want (make sure you’ve let the model know in advance or have it provided). If you have managed to find tearsheets from a shoot of s similar style then that’s great!
- Make sure you’ve given the model clear directions to the shoot location and a contact number for her to call if she gets lost or held up. Be early or at least on time and call the second you know you might be late. It’s just good manners and stops either one of you freaking out.
- I loved Kate’s advice on make-up. Photograhic make-up requires a different approach to everyday make-up so do double check that she knows she’s doing her own make-up and is capable of doing it to a standard. I think Kate’s idea about having a small basic kit is fantastic as well.
- Regarding food and water and breaks, make sure the model knows she can ask the stop if she gets tired or hungry or starts to feel unwell. I’m one of these people who will get into shooting mode and totally space on eating so I do need to point this out to my models! Erm, opps!
- Know where you stand on collaboration. Do you have a very clear idea in your head and the model is pretty much there to act it out? Or are you very flexible with your idea and looking for equal input from the model? Or are you somewhere in between the two? I think anywhere on the spectrum is fine and will depend on what you’re shooting for. But having clear in your mind where you stand will help you keep the shoot on track.
- I agree with Ed’s advice on researching your location as well. If possible, also have a couple of back up locations for if you get moved on or if it starts to rain. And, if you are shooting in public, tell the model beforehand and make sure she’s comfortable with the concept.
- And, above all, have fun!
August 29th, 2010 at 7:36 am
Hi Sammy,
I’m an art director and I’ve attendended two portrait courses at ICP in New York this august. For both reasons I have got some experience with models. My advices are:
1 – whatever you’re planning to do you are a pro and you are at work. Don’t think about you to prove something or to show off, but stay focused only on making a good job. This help relaxing and getting better results.
2 – keep your creative idea simple and focus on being effective rather than being cool: don’t over complicate light settings. Maybe you can “borrow” something from the masters, like Avedon.
3 – plan your shoots and carefully think what you need: makeup? Props? A chair? A ladder? Ducth tape? A hairbrush? Whatever it is it’s frustrating stop everything only because “something very silly” is missing. If you want to make some nudes ask the model before she/he even arrive at the studio.
4 – models are strange, strong creatures: they seems not to eat, not go to the restroom and they can smile for hours. Be kind and respectful, but do not dare being reasonably demanding and directing. The first model I’ve worked with had to be shooted mid-air, jumping with a pillow under her arm. She kept on jumping on a very little trampoline for nearly 6 hours, with few stops and always smiling. So don’t worry…
5 – be sure that the room temperature is not too hot (make people nervous and faces glow) nor too cold (make models suffer and faces too pale). Keeping the model reasonably comfortable will make her/him work better and longer: you can’t fix a stressed, tired face in photoshop.
6 – have some room for she/he to change her/his clothes with a decent privacy
7 – introduce yourself smiling and with an honest handshake. Remember the model name and use it when you direct her/him: thay are subjects, not objects, and you owe them respect.
8 – tell her/him you both are doing great (they’re working and need to be both involved and incouraged), but not too much or you loose credibility
9 – have something to eat and to drink to give them (like coffee and cookies) when you both take a break.
10 – put some music on, choosing something that match your creative idea: is she/he going to jump like a frog? Choose some good rock music. Is she/he going to be moody and reflective? Maybe Chopin is better…
Finally: take your time, check your pictures BEFORE changing props or lighiting, take a break when you or the model is tired, say “thanks, I enjoyed working with you” to the model and backup everything twice when you have finished.
goooooood luck
August 31st, 2010 at 8:22 am
Maybe coming late to this party but Ill chime in.
Everyone says relax and you should but its hard so use that excitement to your advantage. Let her KNOW you are excited about this and embrace this being your first “real” model.
Be up front about what you are planning to shoot. You cant decide in the middle of a shoot that you want to try implied nudity. Explain the looks you want and the outfits you want. If you want to deviate significantly from what you told her in the beginning, save it for a second shoot or until you are used to shooting together. Nothing will shut a model down faster than a radical change with an unfamiliar photog.
Be positive and open. Yes have some planned shots but dont get welded to the plan. If something works, go with it.
On my first shoot I kept it VERY simple. Head shots, head and shoulders. Because it was a TF shoot, I wanted to make sure I got good images for the model so I stuck to things I KNEW I could do well. I progressed to 3/4 length, full body and then nudes. I also expanded my lighting from pure natural to augmented to 100% “made by me”
Have water, tea and light snack things. For studio work water is essential. Those lights get hot!
Ask the model if she wants to see the pictures during the shoot. Some do, some dont.
Eventually you will get the feel for when its time to take a break but initially ask. I try not to shoot more than two hours at a time. For me, my creativity drops off after that and the model’s energy often does too. That said, i did a 5 hour shoot with a model I had worked extensively with. The more often you work with a model the longer you can work and the more you can deviate/wing it.
Dont be affraid to shoot a look or a pose until you get it right. I shot a model in a very cold river to recreate the classic painting of Ophelia. It took 15 times up and down that river to get the shot I wanted (float by, walk back 100m, float by). For a roller skating pic I lost count of how many times I had her go by. Models are tough! If they are not worn out at the end of the shoot, you havent done your job!!
Take the time to focus. I know that sounds simple and “DUH” but focus is soooooo important. Focus on the eyes. Check your images on your screen. If the focus is off, reshoot.
Shoot RAW!!! Unless you are setting custom white balance, you will need to correct the light temp. You can get away with being off when its a truck or a flower but skin needs to be the right color.
Most of all HAVE FUN!!! Shooting with models is extremely rewarding. It is also addictive! One shoot and you will be setting up an account on Model Mayhem so be warned!!
August 31st, 2010 at 9:32 pm
Hahaha @ Dustin Diaz’s comment. Had no idea he read DPS
September 1st, 2010 at 4:56 pm
Hi Sammy.
Everyone gave you really good advices, but just to keeping it more confortable you can play some music that you think could get you and the model into the mood you’d like.
For somes portraits, like this one http://www.flickr.com/photos/63924695@N00/sets/72157623256758387/ I just play some rock n’ roll CD’s. Music with a fast beat and melodies, chord or lyrics kind of depresive, because I needed them to be emotional.
I don’t telling you it’s going to work fine all the time, but you can try. Maybe you can finish the work and both of you end sad, but at least you can get your picture
Good Luck!
September 3rd, 2010 at 5:26 am
Just act like you’ve been there before. If you can get past the mindset of “not knowing” you’ll be far better off. What’s the worst that could happen? That the model doesn’t like the photographer? Relax!
September 3rd, 2010 at 8:18 am
A couple quick points from my experience:
1) research ahead of time: Look at the model’s portfolio for ideas on what she’s done and what she is interested in doing. Then think of ideas. Find samples of what you have in mind.
2) sit down and chat with the model before the shoot. go over your ideas and hear what the model is interested in. also, build a good rapport with her. The model being comfortable with you is one of the most important things for a good shoot.
3) ask the model to freepose at first and take some shots. this way you will get a good feel for her energy. from there, ask her to hold poses you particularly like, then start thinking of poses for her or point her toward the samples you showed her earlier.
4) be yourself
5) Show the model some of the better shots in the camera and invite feedback. Most of the models i’ve worked with enjoy being part of the creative process rather than just being a directed dummy.
September 6th, 2010 at 3:54 am
Shennan T – I couldn’t disagree more. First, if you dont have a portfolio, no model is going to believe you. You will come across as a GWC (Guy with camera) and get treated as such. Pose, pose, pose. Pay me. Im gone. No energy, no camera connection = crappy pics. Second, if the model doesn’t like you that is a very bad thing. Referrals are incredibly important. Models pay attention to what other models say about you. If you want to spend your life shooting inexperienced models (once) or paying through the nose for experience, go ahead and blow off what they think about you. Treat your models with respect. Talk to them about your your experience if you have it or where you are trying to improve if you dont. She will likely return the feedback in spades. Some of the best shoots I have done were ones where both of us were trying something new and we worked and learned together. Most of the models I work with now are either referrals or models who seek me out. To a person they have said that they wanted to shoot with me more because I was not a creep than because I was a good photographer. Models know they can always find a good photographer. Finding one who is not a creep is the hard part.
November 29th, 2010 at 2:25 pm
There is a lot of good advise in here. Some of it has caviates however. For instance, I used to talk with my models to get different expressions from them.
Got expressions, they just did not photograph well becuase lips/mouths were often, usally, photographed in awkward positions.
When going for sexy, and in doing glamour photography sexy is often the genre, request models to show without words what they are feeling, while keeping up our banters and directoin as needed to guide the shoot and expressions along.
For more on how to coax sexy safely from models, click here.
February 18th, 2011 at 9:44 am
Just in case… updated my Model Collection
February 18th, 2011 at 9:45 am
http://www.flickr.com/photos/robsacasa/collections/72157626076716226/
March 24th, 2011 at 7:07 am
@Rob: Is “creepism” that rampant? I’ve done one session with a regular person (sister of a friend i.e. non-professional) and it was all in sunlight and outdoors (a camping related product) and at least in this session there was no way to be creepy; not that I would be but I guess other guys might.
@Kate si: For us guys, would a friend who knows how to do make-up be a good idea? I don’t know concealer from mascara from … Also would getting a few pictures of what you’d like her hair to be like help before you set the session so you don’t get “Ummm… my hair can’t do that”?
I’ve noticed no one mentioned male models here, anyone have any experience here? Anything different to deal with or just same as female models?
May 18th, 2011 at 10:28 am
Great blog. Cheers for always writing such usefull stuff!
Leave a Reply